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Filmfestivals, coproductiemarkten en de internationale kunstcinema. Het CineMart-model van matchmaker onder de loep

Author:

Marijke de Valck

About Marijke
Marijke de Valck is universitair docent bij de afdeling Mediastudies aan de Universiteit van Amsterdam. Ze is gespecialiseerd in filmfestivals en heeft veelvuldig over dit thema gepubliceerd, onder andere de monografie Film Festivals: From European Geopolitics to Global Cinephilia (2007) en artikelen in het International Journal of Cultural Studies, Film International en de Film Festival Yearbooks. Samen met Skadi Loist is zij oprichter van het Film Festival Research Network, www.filmfestivalresearch.org.
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Abstract

Film festivals, co-production markets, and international art cinema: scrutinizing the matchmaker model of CineMart

This article scrutinizes the way artistic and commercial interests are combined at contemporary film festival markets. It focuses on one particular format, the co-production market, during which filmmakers can present their projects to potential financiers and pays special attention to the organisation and programme of the first co-production market, CineMart. Since the 1990s, CineMart's model has been followed by a series of co-production markets worldwide. This article seeks both to contextualize the rise of these markets and to pose critical questions with regard to its effects on the influence of market demands vis-à-vis film festivals' cultural objective.

How to Cite: de Valck, Marijke. 2010. “Filmfestivals, Coproductiemarkten En De Internationale Kunstcinema. Het Cinemart-model Van Matchmaker Onder De Loep”. TMG Journal for Media History 13 (2): 144–56. DOI: http://doi.org/10.18146/tmg.580
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Published on 01 Dec 2010.

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